Steinbeck’s story breaks into a Million Little Pieces

Pretty amazing bit of literary investigation, here. Bill Steigerwald set off to retrace the trip John Steinbeck recounted in Travels with Charley, and discovered that the trip was largely fictionalized.

My initial motives for digging into Travels With Charley were totally innocent. I simply wanted to go exactly where Steinbeck went in 1960, to see what he saw on the Steinbeck Highway, and then to write a book about the way America has and has not changed in the last 50 years.

But when Steigerwald started cross-referencing events Steinbeck recounts in the book against other evidence — letters, hotel records, etc. — he discovered so many discrepancies that, he concludes, “virtually nothing [Steinbeck] wrote in Charley about where he slept and whom he met on his dash across America can be trusted.”

Steigerwald’s piece isn’t an attack. He personally believes that Steinbeck didn’t set out to deceive anyone. He was, at the time, 58 years old, in poor health, and had promised to produce book for which “he had taken virtually no notes.”

Whoops.

Still, it’s interesting that for 50 years the book was trusted as a nonfiction account of what one man discovered when he crossed our continent, when in fact it’s fiction.

Good thing Steinbeck never appeared on Oprah ;-)

Pop goes the book bubble

In NY Daily News, Alexander Nazaryan — writing about Border’s troubles — makes an this observation:

What happened to real estate is now happening to books: An industry colluded to push an overpriced product on a public whose purse strings were tightening and whose tastes were changing. Demand dropped steadily, but supply kept soaring – only now is it coming down to earth. Nothing reminds me so much of those tracts of foreclosed houses in Florida as stack upon stack of hardcover books, desperate to be bought for $25.99.

[UPDATE: link no longer works… sigh.]

If you scan the covers of vintage pulp fiction books, one of the things you may notice are the prices.

The vast majority are 25 or 35 cents.

What would a 35 cent book cost in today’s dollars? According to this online inflation calculator: $3.09.

When’s the last time you saw a brand new $3.00 paperback in a bookstore?

Some might argue that the reason mass market paperbacks have doubled or tripled  in price is that there’s now an infrastructure that, in aggregate, raises the quality of our books. They’re better vetted, better edited.

But I suspect that if the quality of the writing is better, today, it’s thanks to the vast industry devoted to teaching craft. The writers are better.

What’s really happened is that the publishing industry isn’t set up to keep prices reigned in. That’s never been a priority for it.

And as a result, print books are overpriced.

And with a quarter of a million or so titles published every year in the United States alone, of course the whole thing was ripe for a collapse . . .

New Kindle feature a soft sell tool for writers?

Article on the MSNBC Technoblog by Wilson Rothman [UPDATE: link no longer good, sorry] leads with the news that the next Kindle OS is going to support “real” page numbers.

That’s a good thing — but what really caught my interest is another upcoming new feature, “Before You Go . . . ” which Rothman says will let readers more easily rate books — and buy new ones:

Just as you’re finishing a book, you’ll now get a “seamless” invitation to rate the book, share it on Twitter or Facebook, and of course, buy more books like it, or by the same author.

It will be interesting to see how this is handled.

On the one hand, this might help writers build audiences. After all, what better time to sell another book than when your scintillating prose is fresh in a reader’s mind?

But I also wonder whether I might personally find it a bit annoying to have my e-reader suggest I take an action of some kind.

Will there be a forced interim step between the last page of a book and the home screen?

Will it seem intrusive?

UPDATE 10/1/2011: New post on how to rate a Kindle book.

The future of print books

Ed Driscoll’s blogging at Pajama’s Media about the latest news from Borders. Which isn’t good.

In the comments, no surprise, the conversation turns to the future of print books.

Here’s my prediction.

Print books are going to be around but as a product group they are going to split into several new categories.

There will be very expensive, “collector’s edition” type books that will be produced in limited print runs. These will include coffee table style books as well as limited run editions of books by best-selling authors or celebrities. They will be produced as hardcovers. By “very expensive” I’m talking well over $50 a copy. And they’ll be tricked out nicely to help justify the price. Think gorgeous, embossed covers, high quality paper, color plates, that sort of thing. Luxury market books.

Second will be a thriving market for used books. That’s going to be around for a long time. There are so many millions of print books in circulation; today a lot of them are nearly worthless (think boxes of books at garage sales, stacks at thrift stores, the books your local library throws away every year). Over time, these books will increase in value as print books become gradually more rare. But they’ll still be pretty affordable, for the most part, simply because there are so many of them, and as Boomers downsize & sell all their stuff they’ll continue to flood the market.

Third, there will be a new category of very cheap paperback. This category will emerge when publishers find they’re unable to keep the bottom from dropping out of ebook pricing, and they have to create a paperback category able to compete. Bear in mind that the pulp novels of the mid 20th century, adjusted for inflation, sold for the equivalent of a buck or two in 2011 dollars. So we know the publishing industry can do it–it’s just not going to until it has no choice. Many of these will be print editions of e-book releases. They’ll be sold primarily through channels like Walmart and Costco. The quality will be very low–expect the paper to be yellowed by the time you hit the denouement.

Finally, there will be one-off printed books that you will be able to buy at your local bookstore. Already available, but will become commonplace. Another option for peeps who don’t want to read on Kindles. Don’t expect high quality here, but moderate pricing and the ability to hold in your hand a copy of virtually any book every produced. Which is way cool. You’ll be able to order them from kiosks within the store or place orders from home. This will also chip away at one of Amazon’s advantages, which I blogged about an age ago — that it’s so much easier to search book titles via computer than hunt for them in a physical bookstore.

So what do you think? Does this make sense, or do you predict something different?

Kindling

A little over a year ago, my dad bought a Kindle.

If you knew my dad, you’d know he was a gadget-loving sort of guy. He loves being the first around to own that new thing with the plugs and the screens and the User Interface.

Another thing about my dad — he loves to splurge on Christmas gifts for his family.

Meaning that when Christmas comes around, if he’s fallen in love with a new gadget, look out. You might be getting one, too.

And I didn’t want a Kindle.

I told him. Dad. Do NOT buy me a Kindle for Christmas.

It worked–that year.

But then I guess he must have forgotten–either accidentally or accidentally on purpose. Because this last Christmas, I opened an innocent-looking little box and there it was. Not the same version my dad has–mine is small, a footprint about the size of a mass market paperback. Which is good, I’m glad he didn’t spend too much money on it.

And I love it.

I love how little it is. I love that I can buy books completely on impulse. I love that I can buy books cheap. No more walking out of Barnes & Noble with 3 books, my checking account $100 lighter. I’ve downloaded something like 17 P.G. Wodehouse books to my Kindle for FREE–enough Wodehouse to keep me in a good humor for YEARS.

I’ve actually bought a few hardcover books since Christmas as well (I’m reading Empire of the Summer Moon: Quanah Parker and the Rise and Fall of the Comanches, the Most Powerful Indian Tribe in American History in hardcover right now — a gift from another of the sweet guys in my life — which is an amazing book btw). I don’t want to own everything in electronic form. I guess, for me, there are books I want to own as books, and books I purely for the experience of reading them . . . it dovetails with something I’m doing in general in my life, which is trying to shed stuff — I’m selling things, giving things away, anything to reduce my possessions to the bare minimum, to lighten my footprint, to make myself more mobile, more flexible. I’m comfortable that certain experiences are supposed to be ephemeral. I’m okay with experiencing some books as experiences rather than things.

Speaking of ephemera, ebook readers themselves aren’t necessarily settled out in their final form, IMO. My best guess is that some day there will be universal devices that offer an ereading experience close enough to the Kindle’s that we won’t need dedicated devices.

But in the meantime, come 9:30 at night when it’s 6 below zero outside, that’s me under the covers with my feet resting on a hot water bottle and a Kindle in my lap . . .

Reading for its own sake

Column in the LA Times by David Ulin. Title: The Lost Art of Reading.

The predicament: Ulin was a voracious reader but today finds that he’s having trouble reading books.

These days, however, after spending hours reading e-mails and fielding phone calls in the office, tracking stories across countless websites, I find it difficult to quiet down. I pick up a book and read a paragraph; then my mind wanders and I check my e-mail, drift onto the Internet, pace the house before returning to the page. Or I want to do these things but don’t. I force myself to remain still, to follow whatever I’m reading until the inevitable moment I give myself over to the flow. Eventually I get there, but some nights it takes 20 pages to settle down. What I’m struggling with is the encroachment of the buzz, the sense that there is something out there that merits my attention, when in fact it’s mostly just a series of disconnected riffs and fragments that add up to the anxiety of the age.

Question.

Is he reading the wrong books?

I find that I have trouble when I try a book because I think I’m supposed to read it. Example: piece of literary fiction that’s been lauded by people whose tolerance for literary affectation is greater than mine. Got stacks of that sort of book in my unread pile.

OTOH I couldn’t put down Mark Helprin’s Freddy & Fredericka when I read it a few weeks ago: the engagement was effortless, it was swimming downstream. And he’s definitely a writer’s writer, so it’s not like I gravitate toward pot boilers.

With some quarter of a million print titles published annually in the US now, books themselves have become their own fragmented cacophony. We need to be selective. We need to know when to give up on a book and move on.

Second question: might there be something else at work besides the encroachment of the new media bogeyman?

Unrest is unrest. A feeling that there’s something out there that you’re missing might be a clue that there is something out there that you’re missing — something that might have nothing to do with books and reading.

I’m reminded of the folk tale about the in fool is searching for his key under a street light. The punchline is that he didn’t lose the key near the light; he lost it somewhere else.

Sometimes we have to look for things in places that aren’t so easy or obvious . . .

Books that are really ideas

Via a comment on Ann Althouse’s blog, I skipped over today to this review in the London Times of an essay titled Comment parler des livres que l’on n’a pas lus (How to discuss books that one hasn’t read), which was written by one Pierre Bayard, who is a professor of French literature at the University of Paris VIII. And also (writes the reviewer, Adrian Tahourdin) a “practising psychoanalyst.” How beautifully French.

Bayard’s droll conceit includes a description of the four categories into which he places books:

“LI” is livres inconnus (books he is unfamiliar with); “LP” livres parcourus (books glanced at); “LE” livres dont jai entendu parler  (books he has heard discussed) and LO les livres que jai oubli (books he has read but forgotten).

Tahourdin next recounts that James Joyce’s Ulysses falls into the category LE.

[Bayard] claims not to have read the novel, but he can place it within its literary context, knows that it is in a sense a reprise of the Odyssey, that it follows the ebb and flow of consciousness, and that it takes place in Dublin over the course of a single day. When teaching he makes frequent and unflinching references to Joyce.

I suppose we should delight in his honesty.

I also wonder . . . hmmmm . . . what do his students think?

I’m afraid I can’t relate. Having attended a modest state college, I’m reasonable certain that my lit professors had actually taken the trouble to read the books to which they had the habit of making “frequent and unflinching references.” An alarming lack of pretension, I agree. But I forgive them.

Another thought also occurs to me. What does it say about a literary novel when People Who Read Serious Books can sum it up in a single sentence — sum it up as an idea — without even having to read it — and then discuss it, as that idea, amongst themselves?

Where are its roots?

Michael Blowhard wrote this, a couple of days ago, in a post about mystery writer Elizabeth George:

When you pull an artform out of the earth it grows from, even if you do so with the best or the loftiest of intentions, it’s likely to whither and then die.

I’m not sure we can accuse Joyce of yanking literature out of the earth — I think he was just marchin’ to the beat of his own drunken Irish drummer — but in the end he didn’t need to even if he’d wanted — he has the Bayards of the world to do it for him . . .

We’re all the same . . .

some will a strut and some will fret
see this an hour on this stage
others will not but they’ll sweat
in their hopelessness in their rage
we’re all the same
the men of anger
and the women of the page

they published your diary
and that’s how i got to know you
key to the room of your own and a mind without end
and here’s a young girl
on a kind of a telephone line through time
the voice at the other end comes like a long lost friend

so i know i’m alright
my life will come my life will go
still i feel it’s alright
i just got a letter to my soul
when my whole life is on the tip of my tongue
empty pages for the no longer young
the apathy of time laughs in my face
you say
each life has its place

From Virginia Woolf, by the Indigo Girls (Rites of Passage album).

This version of the lyrics is from the rites of passage CD liner notes, only with line breaks.

the place where you hold me
is dark in a pocket of truth
the moon has swallowed the sun and the light of the earth
and so it was for you
when the river eclipsed your life
but sent your soul like a message in a bottle to me
and it was my rebirth

so we know we’re alright
life will come and life will go
still we know it’s alright
someone’ll get a message to your soul

The song stunned me when I first heard it because it so perfectly captured how I felt when I discovered Woolf’s diaries. (Her novels otoh — I should probably reread them now. I read them in college because one was supposed to, and didn’t really warm to them. Perhaps I was too young.)

I wonder if she came to realize, at the end, that her gifts could not substitute for a belief in deservedness . . . nor earn it.

Okay, he tagged me

John aka Duke of Earle says I HAVE to play . . . who am I to argue?

1) One book that changed your life: Outwitting Squirrels by Bill Adler, because encountering it triggered a chain of events that eventually led to my co-writing Outwitting Dogs. ‘Nuff said.

2) One book that you’d read more than once: Hmmmmm. Anna Karenina, might as well use that one. Blogged about my second read of that book here.

3) One book you’d want on a deserted island: A honkin’ big blank book. Five subject college ruled notebook would do, although if the pages were unruled I could write really tiny and it would last even longer, even if later I wouldn’t be able to read a bit of it. Also a box of halfway decent pens.

4) One book that made you laugh: To the Nines, the first Janet Evanovitch novel I ever read, comes to mind. I laughed out loud a LOT reading that book. And later asked whether there was much higher to aspire to, as a writer, than to make people laugh . . .

5) One book that made you cry: Reading in the Kipling short story collection Debits and Credits some months ago I came across the “The Bull that Thought,” and sobbed uncontrollably at the end because of the redemption of brutishness by Art — by a mutual recognition of Art.

6) One book you wish you’d written: Pilgrim at Tinker Creek by Annie Dillard.

7) One book you wish had never been written: Hey, how about A Confederacy of Dunces by John Kennedy Toole, since maybe if he hadn’t of written it he wouldn’t have offed himself. Don’t throw in your hand, Mr. Toole . . .

8) One book you’re currently reading: Memories, Dreams and Reflections by Carl Jung.

9) One book you’ve been meaning to read: Tristram Shandy. Started it, got distracted, will pick it back up one of these days.

10) Tag five people: Is this like a chain letter? All my doorknobs will fall off if I don’t? Is it okay if I ask people first? Hey, I can start with my dad :-) — Dad, want to be tagged? Erik, have you done this one yet? Carrie? E is for Editrix has probably done it, she gets tagged a lot . . . Zinn, how about you, interested in doing a book post?