Blogiversary: 14 years blogging and I’m still here

arizona tate university 1000 piece jigsaw puzzle
Fourtheen years later, we still do jigsaw puzzles every year over the holidays! Although there was a bit of a SNAFU this time when my parents’ cat stole one of the puzzle pieces…

So I actually missed noting this by a few days, but I posted my very first blog post 14 years and four days ago.

The topic, btw, was jigsaw puzzles and how much I love my family. “Working a jigsaw puzzle,” I wrote,

is a way for a few people you care about to gather around a table and share something, which isn’t the puzzle but your time. You’re facing each other — unlike when, for instance, people watch television together. You talk about whatever comes up, serious topics or lite topics or just how you’re certain that the particular piece you’re looking for is surely lost. You laugh, a lot. And if you pay attention, you realize how much you love each other and how comfortable you are together.

Coincidentally, I was back east over the holidays and yep. And we did a jigsaw puzzle :)

Meanwhile, however, over the last several weeks, I’ve been doing something else.

Tackling a long-overdue job: website cleanup

I’ve written nearly 1200 posts over the years (!).

And in all that time, I’d never gone back over them to do things like remove broken links or clean up taxonomies.

I had good reason to procrastinate: it was a lot of work. Dozens and dozens of hours’ worth of work.

But as of today, I’ve accomplished quite a bit. I’ve paired the published posts down to around 750 and fixed links. I re-categorized some posts and cross-linked them where needed to better capture updates on specific topics.

The exercise also served as a major explore of the ol’ memory-lane.

That time period — the mid 2000s — was a the golden age of blogging…

I can still remember how incredible it felt to be able to write about anything I wanted to write about, and publish it, without having to navigate any gatekeeper or satisfy anyone but myself. It was so, incredibly freeing. I’d been working as a contract writer for years, I’d co-written Outwitting Dogs, I was working on a novel that I hoped to sell to a publisher. Now, all of a sudden, I could just write.

All of a sudden, I could hit a button and be out there for anyone to read.

I discovered WordPress. I taught myself a little php coding so I could modify its default Kubrick theme (remember Kubrick? Oh, that blue… oh, how thrilled I was when I made my site turn green!)

Comment spamming became a thing. I told them to go away and wrote an ode. I discovered Akismet — phew :)

It’s impossible to understate how life-changing it felt to be able to blog.

And I wasn’t alone. I was part of a blossoming online community of people who appreciated what I published, who would link to me, comment on my blog — and of course I did the same for them. (The right-left divide was there, btw, but it didn’t feel as dire and insurmountable. It wasn’t vicious. We were still trying to understand each other.)

Many of us coalesced around our respective communities. I wrote a lot about Rochester, New York, where I lived at the time, and exchanged links and information with a dozen or so other Rochester-area bloggers, many of whom are gone, now. Mr. Snitch. Zinnian Democracy. For some topics of local interest, like Rochester’s proposed Renaissance Square, my blog could arguably be considered an important contemporaneous record.

Many of the sources I quoted about that project are no longer available online.

And then there were the other aspiring fiction authors.

We linked each others’ posts. We shared ideas and advice and writer resources. This started a year before Amazon launched the Kindle, before the indie author became a thing. One of our favorite subjects was literary agents: how to query them, what they liked, what they hated, which ones to avoid. (Remember Miss Snark?) (Her stuff is all still online btw.)

And then came 2007 and Kindle Direct Publishing — another moment I will never forget. Because, when you think about it, indie authors were to books what bloggers were to online journalism / opinion essays. There was that same sense of loosening and freedom and “now I can write what I want and put it out there and who knows? Someone might actually read it and like it.”

Writers who had focused on courting literary agents suddenly rushed to self-publish their books on Amazon…

I was one of them. I self-pubbed my first novel, ran a giveaway, and watched it climb to the #11 spot on Amazon’s Free Kindle Ebooks store.

Heady times…

Word had been spreading in the lit-o-sphere about National Novel Writing Month and I participated a couple of times (before deciding, ultimately, that the format doesn’t work for me).

And naturally, scammers began to emerge to prey on authors who dreamed of writing fiction for a living…

And Then Came Facebook

Oh, what a temptation it was! So much easier than running your own site, courting readers, vying for eyeballs. You could write a face book post and suddenly everyone you knew would read it and comment.

I fell for it. I essentially abandoned my own blog. Instead of publishing hundreds of posts per year, I’d do maybe a dozen.

Well, you know the quote, right? “If you’re not paying for it, you’re not the customer. You’re the product.” It’s a concept that has been around for a very long time. And yet, strangely enough, we don’t seem to have fully wakened to the implications.

Products are things. Ergo:

If we let ourselves be turned into products, we can expect to be treated like products — that is, like things.

So why are we surprised to learn that Facebook would sell us out? Why shouldn’t it? We aren’t “people” to Facebook.

By definition — as soon as we agree to the Facebook TOS and start uploading “content” — which includes not only our words, our personal diaries (!), our insights and links and information-sharing but also all that “data” about ourselves, our likes dislikes comings going relationships, which in aggregate is essentially our selves in a very important sense — our virtual avatars — as soon as we enter that transaction, we agree to be treated like objects. Commoditized. Bought and sold.

It’s little wonder that there’s been a backlash against the platform. We’re slowly beginning to grasp what “a Facebook” is and how “a Facebook” is going to treat us.

(It’s no coincidence, either, that as a platform Facebook feeds political divisiveness and vitriol. We don’t treat each other like people on Facebook, either.)

Of course, when you’re a writer, there’s another nuance to this as well.

Writers create content. Content has value. Why should we give it to Facebook?

Of course, writers give our content away all the time. I do it. I run Amazon giveaways. My novel The French Emerald is available to read for free here and on Wattpad (where it recently broke 16K reads!)

But the difference is that in these instances, I am interacting with you, my reader, directly.

So when you find my blog and read a post, our shared experience belongs to you and I. It’s direct. It’s not beingi mediated by a third party.

I have the kind of control that a content-creator should have. If I want to pull The French Emerald off my site, off Wattpad, format it, and sell it instead, I could do that. It wouldn’t be a violation of anybody’s terms of service. It’s crystal clear that I own the copyright to those words and can do whatever I want with them.

I’m still on Facebook. I have a page for promoting my novels. I go on the platform from time to time to catch up with friends and family. But I no longer invest time in posting content.

Instead, I’ve recommitted to my home: this blog. I didn’t publish a single piece here in 2016 or 2017, and only did a handful in 2018. But in the last month of 2019 alone, I put up around 8 posts.

Will anyone see them? Who knows? I lost a lot of traction when I abandoned this site for Facebook four+ years ago.

But I’m good with that. In a way, it’s like it was back in the beginning, in 2006, when I first hit “publish” and put a little piece about doing jigsaw puzzles out there for the world to see. I don’t care if “I’m read.” I’m a writer. I write. That’s what matters.

Happy New Year to anyone who finds this.

And thank you, thank you, thank you for reading.

Another lit agent blogging: Rachel Vater

OK, this is so cool. Bernita at An Innocent A-Blog has posted about some blogs she reads regularly, including one kept by literary agent Rachel Vater of Lowenstein-Yost Associates.

Another agency to add to my blogroll :-)

But it gets better. I queried that agency in July (got a “no” back the next day) and it turns out, Rachel blogs about queries she reads and her response to them. So by scrolling back to July 10 I found her note about mine:

4. An adult novel about discovering little fairies. It’s really the tone of this novel that makes me think it’s not right for me. It seems sweet, light, and romantic. Maybe perfect for someone else, but I tend to like very funny, or else very kick ass, or darker, edgier paranormal novels. Sweet isn’t quite for me.

This really points out how fraught with peril is the querying process. My first version of my query read too dark (Kristin Nelson passed on it for that reason!) so I lightened it. Then maybe midway through the querying process, I decided I’d gotten it too sweet and modified it again.

I don’t know if the book is right for Vater (and since I’ve received multiple requests for fulls at this point I’m not going to lose any sleep over it) but I think I missed my chance with her because of my query, not because of the book itself.

Incidentally, the interface for submitting to this agency isn’t an email address — it’s an online form. As a result, I wasn’t able to include 5 sample pages, which I typically do as per the divine Miss Snark’s regularly repeated advice.

The sample pages would be plenty to show that the novel’s tone isn’t exactly “sweet and light,” although it has its comic and romantic moments.

Coincidentally, Miss Snark touched on the inherent inadequecy of query letters again this weekend:

You can write the world’s worst query letter and if you have good writing attached to it, I’m not going to pass. It’s not the query letter that keeps you from “yes”: it’s the writing. I’ve said it before, here it is again: most query letters suck. Good writing trumps all.

Two of my requests for fulls came from the query plus first five pages. It’s the five pages that dunnit. I so owe Miss Snark.

The trout got flushed

One of the first writer blogs I linked on my blogroll was Brown Trout’s Next Book, purportedly kept by an overweight, aging, thrice-divorced academic who had enjoyed a stint of literary success some years ago, but subsequently saw his career tank in part due to his heaving drinking and self-destructiveness.

On August 9, the trout published a post that began like this:

A Disclosure

Hi there. It’s me talking to you. The name’s Dave, and I’m a writer…of sorts.

Same guy as before, but not really. While I do share similar eccentricities and passions to the creature you’ve come to know as The Brown Trout, I am distinct in that I am not a character of fiction. I’m a real guy. Flesh and bone.

Like BT, I’m a writer. I also work for a major university. Unlike BT, I’ve no real publishing history. I’ve also only been married once, not thrice. And if BT and I were to square of in the ring, he’d hold a significant weight advantage. Also, I’ve never had a heart attack.

But I have written a few novels. Two are pretty good. One really sucked. Another is in the works and will be wrapped up in time for Christmas. It’s the best thing I’ve done yet. I’ve also scribbled down at least fifty short stories, of which four have been published. I’ve picked up a few prizes and that notorious MFA degree. Oh, and I also have written a screenplay.

The blog’s now gone.

I supposed it’s a given that writers suffer a compulsion to create fictional worlds. So why should blogs, as a medium, be exempt?

All the same, I like “Dave” far more than I liked his his fictional creation, and I’m glad BT is now folded away someplace, I imagine rather like a balloon deflated & creased the day after the Macy’s parade.

Off to edit my blogroll . . .

(Oh, lest this be lost forever, BT submitted a question, in character, to Miss Snark — and commenters unfamiliar with his blog immediately detected the whiff of fakery. BT responded to their skepticism in the comments: “Despite the insinuations of the previous commenter, I can assure you I am as real as Mr. Frey, and likely more so.”)

Awefull update

Several people nominated awefull books on Miss Snark’s blog after I’d posted my compilation.

Here they are.

Bangkok 8 by John Burdett
Beach Music by Pat Conroy
Case Histories by Kate Atkinson
Talk Before Sleep by Elizabeth Berg
THE BELIEF TEST by Kate Chaplin
The Heart is a Lonely Hunter by Carson McCullers
THE CRYSTAL THRONE by Kathryn Sullivan
The Horse Whisperer by Nicholas Evans
THE HOUSE OF PENDRAGON I; THE FIREBRAND by Debra Kemp
What I Loved by Siri Hustvedt

At this point it’s been 10 days since Miss Snark’s original post, so although I’m happy to keep making any corrections I won’t be adding any new books. Cuz if I did, the fun spontaneous bloggy feel might get compromised, and we can’t have that.

(If Heart is a Lonely Hunter was published in the last ten years, btw, then yours truly is about 19 again. Kewl.) (Ooops, sorry, that’s “Cool” — Kewl hadn’t been invented yet.)

(Not that some of the books on the original list weren’t more than 10 years old, too — actually quite a few would have been disqualified on that basis . . . )

A snarkling reading list

A few days ago, Miss Snark invited her readers to nominate three “awefull” books:

They should be relatively recent, within ten years of first publication. Novels you loved, novels that made you see the world in a new way, novels that made you give up writing for a month cause you couldn’t imagine writing that well.

She kicked it off by nominating three herself:

The Intuitionist by Colson Whitehead
Motherless Brooklyn by Jon Letham
Winter’s Bone by Daniel Woodrell

Then her readers took over.

I just compiled the list: 285 284 283 books (excluding dupes). Just in time for your summer vacation!

(Note: I didn’t cross-check any of these. I didn’t try to exclude books that didn’t meet Miss Snark’s criteria — e.g. some are over 10 years old. I didn’t include authors’ names when a book title wasn’t specified. I just copied the comments into a word file, edited outanything that wasn’t a title/author, did an alphanumeric sort and deleted dupes.)

1632 by Eric Flint
A College of Magics, by Caroline Stevermer
A Conspiracy of Paper, David Liss
A Home At the End Of the World, by Michael Cunningham
A PRAYER FOR OWEN MEANY by John Irving
A PRAYER FOR THE DYING, Stewart O’Nan
A Soldier of the Great War, Mark Helprin
A Sudden Country by Karen Fisher
A Very English Agent, Julian Rathbone
A Widow for One Year by John Irving (1998)
A Year in Provence By Peter Mayle
ABOUT GRACE, Anthony Doerr
Alias Grace, Margaret Atwood
American Gods: by Neil Gaiman
An Equal Music, by Vikram Seth
AN INVISIBLE SIGN OF MY OWN by Aimee Bender
Angle of Repose, Stegner’s
Anthem by Ayn Rand
AS MEAT LOVES SALT by Maria McCann
Ash by Mary Gentle
AT SWIM, TWO BOYS by James O’Neill
Atrix Wolfe by Patricia A. McKillip
BAG OF BONES by Stephen King
Baroque Cycle, Neal Stephenson.
Bastard Out of Carolina by Dorothy Allison
Baudolino, Umberto Eco
Beauty by Robin McKinley
Bel Canto, Ann Patchett
Beloved, Toni Morrison
BOY’S LIFE by Robert McCammon
Captain Corelli’s Mandolin by Louis de Bernieres
Castles Burning, Magda Denes
Certain Women by Madeleine L’Engle
Child of God, by Cormac McCarthy
CHOKE, by Chuck Palahniuk
City of Shadows by Ariana Franklin
Cloud Atlas by David Mitchell
Clumsy, by Jeffrey Brown
Cold Mountain by Charles Frazier
COMING HOME TO YOU, Fay Robinson
Coming Through Slaughter~ Michael Ondaatje
Confessions of a Pagan Nun by Kate Horsley
Confessions of an Ugly Stepsister by Gregory Maguire
Crimson Petal & the White, Michel Faber
Crocodile on the Sandbank, Elizabeth Peters
Cruddy – Lynda Barry
Cryptonomicon by Neal Stephenson
Darkly Dreaming Dexter by Jeff Lindsay
Digrace by j.m. coetzee
DOOMSDAY BOOK, Connie Willis
Dragonfly in Amber by Diana Gabaldon
Dreamtigers by Jorge Luis Borges, which is actually a collection of various pieces.
Drinking Coffee Elsewhere, ZZ Packer
Earthly Powers, by Anthony Burgess
Einstein’s Dreams by Aaron Lightman
EMPIRE FALLS, Richard Russo
Ender Series, Orsen Scott Card
EUREKA STREET by Robert McLiam Wilson
EVA MOVES THE FURNITURE, by Margot Livesey
Eveless Eden by Marianne Wiggins
EVERYTHING IS ILLUMINATED by Jonathan Safran Foer
Extremely Loud and Incredibly Close by Jonathan Safran Foer
Far from the Bamboo Grove by Yoko Kawashima Watkins (1986)
Fevre Dream – George R. R. Martin
Fight Club
Fingersmith by Sarah Waters
Fool’s Fate by Robin Hobb
Foreigner Series by C. J. Cherryh
Fortress of Solitude–Jonathan Lethem
Foucalt’s Pendulum by Umberto Eco
From the Corner of His Eye by Dean Koontz
Fun Home, by Alison Bechdel
Galveston, Sean Stewart
GATES OF FIRE by Steven Pressfield
GILEAD, by Marilynne Robinson (2004)
Girl Talk, by Julianna Baggott
Girl With a Pearl Earring, Tracy Chevalier
Gone for Good by Harlan Coben
Good Omens by Terry Pratchett and Neil Gaiman
GOODBYE, CHUNKY RICE
Green Grass Running Water by Thomas King
Harry Potter
History of Love
His Dark Materials Series, Philip Pullman
Hocus, Jan Burke
Homestead by Rosina Lippi
Hominids by Robert Sawyer
Hotel World–Ali Smith
House of Leaves by Danielewski
House of Sand and Fog
Housekeeping–Marilynn Robinson
HOW I LIVE NOW by Meg Rosoff
How We Die by Sherwin B. Nuland
Hyperion:Cantos, by Dan Simmons
IDEAS OF HEAVEN by Joan Silber
INCOMPETENCE by Rob Grant
Infinite Jest, David Foster Wallace
Ishmael by Daniel Quinn
ISLAND OF THE DAY BEFORE by Umberto Eco
Jazz by Toni Morrison
JONATHAN STRANGE AND MR. NORRELL, Susannah Clarke
Journey into Moonlight by Antal Szerb
JURASSIC PARK
Just One Look by Harlan Coben
Kafka on the Shore, Haruki Murakami
Katherine by Anya Seton
Keeping Watch by Laurie King
Kiss Me, Judas by Will Christopher Baer
KISSING IN MANHATTAN, David Schickler
KITE RUNNER
Kushiel’s Dart by Jacqueline Carey
L. A. Confidential by James Ellroy
Lamb by Christopher Moore
Life of Pi, by Yann Martel
Like Water for Chocolate by Laura Esquival
LIVES OF THE MONSTER DOGS by Kirsten Bakis
Living on Love – The Messenger by Klaus Joehle
LOOKING FOR ALASKA by John Green
Looking for Ali Brandi by Melina Marchetta
LULLABY, by Chuck Palahniuk
Maus by Art Spiegelman
Memoir from Antproof Case, Mark Helprin
MICROSERFS by Douglas Coupland
MIDDLESEX by Jeffery Eugenes
Misery, Stephen King
Mistress of Spices by Chitra Banerjee Divakaruni
MOTHERLESS BROOKLYN, Jonathan Letham
My Sister’s Keeper by Jodi Picoult
My Voice Will Go With You by Sidney Rosen
MYSTIC RIVER, Dennis Lehane
Neuromancer_ William Gibson
Never Let Me Go by Kazuo Ishiguro
No Great Mischief, Alistair MacLeod
Norweigan Wood, Haruki Murakami
Old Boys, Charles McCarry
Ombria in Shadow by Patricia McKillip
One Good Turn, Witold Rybczynski
One Hundred Years of Solitude
ORYX AND CRAKE by Margaret Atwood
Otherland (all four books) by Tad Williams
Outlander by Diana Gabaldon
Outlandish Companion, Diana Gabaldon
Passage by Connie Willis (2001)
PATTERN RECOGNITION by William Gibson
PEOPLE OF PAPER, Salvador Plascencia
Perdido Street Station, by China Mieville
Persepolis, by Marjane Satrapi
PETTY TREASON and POINT OF HONOUR, Madeleine Robins
Possession by A S Byatt
Prep by Curtis Sittenfeld
QUARANTINE by Jim Crace
Queen of the South – Arturo Perez Reverte
RIDING WITH THE QUEEN, Jennie Shortridge
ROMAN BLOOD by Steven Saylor
Runaway by Alice Munro.
SABBATH’S THEATRE, Roth
Saint Maybe, Ann Tyler
SAVAGE THUNDER by Johanna Lindsey
Saving Francesca by Melina Marchetta
Servants of the Map, Andrea Barrett
SHALIMAR THE CLOWN by Salman Rushdie
She’s Come Undone by Wally Lamb
SIAM MIAMI by Morris Renek
Slammerkin, Emma Donoghue
Snow Falling on Cedars by David Guterson.
SPECIMEN DAYS, Michael Cunningham
SPIN, by Robert Charles Wilson (2005)
STANDING IN A RAINBOW by Fannie Flagg
STILL LIFE WITH WOODPECKER by Tom Robbins
Storm of Swords by George RR Martin.
Sunshine by Robin McKinley (2003)
SWEET DREAM BABY, Sterling Watson
Sword of Shadow series: A Cavern of Black Ice & A Fortress of Grey Ice, JV Jones
Tales of Burning Love by Louise Erdrich
Talyn by Holly Lisle
Tam Lin by Pamela Dean
The Alienist by Caleb Carr
THE AMAZING ADVENTURES OF KAVALIER AND CLAY by Michael Chabon
The Angel of Darkness, Caleb Carr
The Beekeeper’s Apprentice by Laurie R. King
THE BEHOLDER by Thomas Farber
The Bird Artist by Howard Norman
The Blind Assassin, Margaret Atwood
THE BOOK THIEF, by Markus Zusak
The Border Trilogy (ALL THE PRETTY HORSES, THE CROSSING, CITIES OF THE PLAIN), Cormac McCarthy
The Bridge of Birds by Barry Hughart
The Burning Land & The Awakened City by Victoria Strauss
The Centaur by John Updike
The Club Dumas (or any of the books by Arturo Perez-Reverte)
The Collected Works of Billy the Kid~ Michael Ondaatje
The Color of Distance & Through Alien Eyes by Amy Thomson
THE CONFESSIONS OF MAX TIVOLI, Andrew Sean Greer
The Corrections by Jonathan Franzen
The Crimson Petal and The White by Michael Faber
The Curious Incident of the Dog in the Night-Time, by Mark Haddon
The Curse of Chalion, by Lois McMaster Bujold
The Death and Life of Charlie St. Cloud? By Ben Sherwood
The Disenchanted by Budd Schulberg
The Fingersmith, by Sarah Waters
The First Betrayal by Patricia Bray
The Five People You Meet in Heaven, Mitch Albom
The Girl Who Loved Tom Gordon, Stephen King
The Girl Who Played Go by Shan Sa
The God of Small Things by Arundhati Roy
The Golden Compass by Philip Pullman
The Grass Widow, Teri Holbrooke
The Ground Beneath her Feet by Salman Rushdie
The Handmaid’s Tale by Margaret Atwood
The History of Love by Nicole Krauss
The Hot Rock by Donald Westlake
The Hottest State, Ethan Hawke.
The Hours by Michael Cunningham
The Jungle by Upton Sinclair
The Kite Runner by Khaled Hosseini
The Known World, Edward P. Jones
The League of Extraordinary Gentleman (and Watchmen), Alan Moore
The Light Ages, by Ian McLeod
The Line of Beauty by Alan Hollinghurst
The Lions of Al-Rassan by Guy Gavriel Kay
The Lives and Loves of a She Devil, Faye Weldon
The London Pigeon Wars, by Patrick Neate
The Long Goodbye by Raymond Chandler
The Lovely Bones – Alice Sebold
The Madam, by Julianna Baggott
The Mammoth Cheese by Sheri Holman
THE MASTER Colm Toibin
The Mists of Avalon by Marian Zimmer-Bradley
The Moor’s Last Sigh by Salman Rushdie
THE NAMESAKE and INTERPRETER OF MALADIES by Jhumpra Lahiri
THE NIGHT COUNTRY, Stuart O’Nan
The Other Wind, Ursula K. LeGuin
The People of Paper by Salvador Plasencia
The Perks of Being a Wallflower, Stephen Chbosky
THE POISONWOOD BIBLE by Barbara Kingsolver
The Power of One by Bryce Courtney
THE PRAISE SINGER by Mary Renault
The Princess Bride by William Goldman
THE REMAINS OF THE DAY by Kazuo Ishiguro
The Republic of Love by Carol Shields
The Restraint of Beasts by Magnus Mills
The Road Home_ Jim Harrison
THE ROOFER by Erica Orloff
The Rule of Four, Odd Thomas, The Hummingbird’s Daughter, Elaine Corvidae
The Sandman: Season of Mists, Neil Gaiman
The Secret History, Donna Tartt.
The Secret Life of Bees by Sue Monk Kidd (2002)
The Shadow of the Wind by Carlos Ruiz Zafon
The Shipping News, E. Annie Proulx
The Short Day Dying by Peter Hobbs
The Soloist by Mark Salzman
The Sound of Waves, Mishima
THE SPARROW by Mary Doria Russell
The Stolen Child by Keith Donohue
The Sunne in Splendour by Sharon Kay Penman
The Things They Carried by Tim O’Brien
The Time Traveler’s Wife by Audrey Niffenegger
The Tree of Man, Patrick White
The Wheel of Time Series
The Wind Up Bird Chronicle, Haruki Murakami
THE WOODEN SEA by Jonathan Carroll
THE ZOO WHERE YOU’RE FED TO GOD by Michael Ventura
THIS BLINDING ABSENCE OF LIGHT by Tahar Ben Jelloun
To Say Nothing of the Dog , Connie Willis
TO THE POWER OF THREE by Laura Lippman
Tourist Season, Carl Hiaasen
Tropic of Night by Michael Gruber
Troy: Lord of the Silver Bow by David Gemmell
Twilight by Stephenie Meyer
UNDER THE WOLF, UNDER THE DOG by Adam Rapp
Unless by Carol Shields
We Need To Talk About Kevin – Lionel Schriver
WELCOME TO THE WORLD, BABY GIRL by Fannie Flagg
What Makes Sammy Run? by Budd Schulberg
White Teeth and On Beauty, Zadie Smith
Wild Swans by Jung Chang
Winter and Night S.J. Rozan
Winter’s Orphans – Elaine Corvidae
Winter’s Tale by Mark Helprin
Wittgenstein’s Mistress, David Markson
Wizard’s First Rule by Terry Goodkind
WONDER WHEN YOU’LL MISS ME by Amanda Davis
WONDERBOYS by Michael Chabon
Year of Wonder by Geraldine Brooks

UPDATE: Welcome, snarklings! And thank you Miss Snark for the link!

UPDATE 2: A few late additions here.

To blog or not to blog . . .

If you’re a writer-o’-books, the answer to this question is “depends on who you ask.”

Miss Snark has recommended that novelists be cautious about blogging — because when you’re blogging, you’re not working on your novel. But she also wrote, once, that a “well-clicked” blog can be a plus when you’re querying agents.

Late last month, John at Romantic Ramblings recounted the advice he got from his last agent, who told him a blog was practically indispensable.

But John also found a warning on Agent Query that a blog may be a liability rather than an asset for writers looking for representation. (What they are really trying to say, I think, is that a poorly written or presented blog can be a liability. Which is true, I’m sure.)

So now, to add another twist to the conversation, comes this: Joe Garofoli, in the San Francisco Chronicle, reports on how political blogger Glenn Greenwald was able to coordinate online publicity for his non-fic book among his like-minded blogging buddies. The resulting burst of orders pushed his book to number 1 on Amazon.

Granted, Amazon is only one reseller, so if your book is ranked high there, but isn’t selling anywhere else, it doesn’t really mean much.

Except that you get to say your book is a number 1 Amazon best-seller. Certainly better than a poke in the eye with a sharp stick.

So what’s the verdict? I’d say it’s something like this. Don’t blog if you tend to use it as an excuse to avoid doing the real work of writing. Don’t put up a sloppy blog, or a cheesy blog. Don’t present a virtual persona that comes across as loony or raises red flags about your people skills. (Of course, if you have people-skills problems you probably don’t know your blog comes across that way but that’s a whole ‘nother topic.)

And last but not least, remember that blogging is really a type of networking. If it’s going to help you sell books, it’s because of the relationships you’ve built, not because you’ve mentioned your title and now it shows up on Google.

Query help. For writers.

Found this morning via Miss Snark, who introduces this blogger, Evil Editor, as “[a]n editor, an honest to dog editor, [who] is critiquing query letters on his blog.”

I jumped over to check it out and this guy’s advice is worth it’s weight. Double worth it’s weight. Well. It would be double worth it’s weight if it were printed on something heavy, like, say, corrugated tin.

He takes query letters people have sent him, and prints them, once with his comments inserted and then once revised to accommodate his critique.

His comments are basically real-time “huhs?” that an editor/agent would experience each time the query writer blunders. They’re always illuminating and often funny. Here’s an example, from a suspense novel titled Coiled Revenge. Evil Editor’s comments are in brackets:

She escapes death when Tony barges in, using the key he stole from her apartment to save her. [He uses a key to save her? Who is this guy, MacGyver?]

It’s hard, because in a query letter, we’re trying to condense an entire novel down to a few paragraphs. So the inane can creep in. But we have to realize how off-putting it can be.

Evil Editor is a wonder resource. I’m adding it to my blogroll right now.

When good enough — isn’t

Miss Snark fields a question from a writer whose novel has been rejected repeatedly as “not competitive.” The writing is good, the story interesting, and yet the novel doesn’t seem to have what it takes to make the cut.

Here’s a portion of Miss Snark’s response:

I see quite a few books as partials or fulls that are pretty darn good but there’s nothing there that makes me say “aha!” I have to be able to answer the questions “what makes this stand out from the crowd” “what is going to surprise me” when I send this to editors. Business as usual will not do that.

The bar for becoming a fiction writer is, on the one hand, ridiculously low. You like words, you like stories, you own a computer or at least a bit of charcoal and the back of a shovel, and you’re there.

So it’s disquieting to discover that what you’re writing may not be good enough to get published. (Of, if you get a little further, not good enough to sell out your print run. Or, a little further along yet, not good enough to make you a living.)

Miss Snark’s advice:

I suggest stepping back from the project for a bit. Work on something else for awhile. Then go back and really look at your characters and plot. You have to be able to look at your work with an objective eye. That’s the single biggest weakness in writers: they can’t see how their own work looks on the literary buffet.

But (and I’m making an oblique confession, here) maybe that’s not it. Maybe we can see. Maybe the problem is that we don’t want to see. Because seeing means we have to rewrite, and not just smoothing-up-those-awkward-sentences rewriting, but the sort of rewriting that involves dismantling plot or rethinking characters — the kind of rewriting that takes us almost back to the beginning, and that, with a novel we’ve lived with for so many months already that we’re frankly sick to death of it.

But maybe that’s what it takes.

In the Introduction to Writing the Breakout Novel, Donald Maass has this to say:

Great novels–ones in which lightening seems to strike on every page–result from their authors’ refusal to settle for ‘good.’ Great novelists . . . push themselves to find original turns of phrase, extra levels of feeling, unusual depths of character, plots that veer in unexpected directions . . . Is that magic?

Not at all. It is aiming high.

I have to believe “aiming high” is what gets you to the place Miss Snark references — to the novel that “stands out from the crowd,” that is more than “business as usual.”