Happily Flarey…Ever?

The third and final Marion Flarey book is now out!

Here’s the teaser:

Happily Flarey...Ever? by Kirsten Mortensen
She’s lost two princes. Is number three the charm?

She’s lost two princes. Is number three the charm?

In life, as in fairy tales, things happen in threes.

So when Marion Flarey’s third prince comes back into her life, it seems like a dream come true. He’s a fairy tale expert! He’s discovered a previously-unknown treasure trove of stories! He wants Marion’s help writing his next book!

Has Marion finally found her happily ever after?

Or maybe she still needs to learn an important lesson about the tales she loves so much…

It’s available on Amazon for Kindle or print.

Or click here to get a copy for different brands of e-reader (Kobo, Nook, Apple, etc.) here.

So what do I have to say about the novel, now that it’s out?

A few things.

One of the 2022 projects that lured me away from writing. Silly hens!
  1. It seemed like it took forever to get the series to this point. But in retrospect, I started working on the book in the summer of 2019, so it was “only” a little over three years. So: one book a year.
  2. My pace would have been faster if we hadn’t moved in 2021. Lived out of a tent for 9 months while we built a new house. Then all the new-house projects.
  3. In theory I could have been writing solidly that whole time, but in practice, novels take up a LOT of my headspace when I’m working on them. And it’s really hard to pick them up and put them back down again. When I’m writing, I’ve got one foot in another world, and it slows me down considerably when I have to play the hokey pokey. Left foot in, left foot out, argh!
  4. My pace wasn’t fast, but it also wasn’t awful. And I’ve accepted that this is how I write. I take a long time, because…
  5. I write from the inside out. I start with a gist of an idea: main characters, setting, a few major plot points. The characters then become the foundation, and I start working the novel out by working out what they do and how they react to one another.
  6. I don’t think I’ll ever do a series again. I disliked having such a big project hanging over me. I felt like I had to get it to completion even though I really wanted to work on other things.
  7. I’m super excited about moving to another project. The working title is Scratch, and it’s going to be very different from the Marion Flarey books. Darker. And definitely more literary.

And that’s it, for now. Please let me know if you enjoy the book.

It started with her name & nickname. (I love using notebooks this way. “Journaling” about my novel ideas really works for me.)

Romance

I love Romance.

I write Romance.

Not in the sense of genre romance, but Romance in the sense of an affirmation of the centrality of the heart in human experience. Of the perils of our alienation from nature, and because Romance gives us a break from the sheer awfulness of life (Byron: “And if I laugh at any mortal thing, Tis that I may not weep.”)

My question is: can novels help people learn better (learn again?) how to think?

Yes, reading novels is a form of escapism.

But can they draw people into stories and then use those stories to train people, not what to think (blech) but how?

I hope so.

I’m so horrified by how poorly people think …

Fo Fum Flarey by Kirsten Mortensen

Out now! Book 2 of my Marion Flarey series :)

Available on Amazon for Kindle or Print, or click here to browse other e-formats.

New novel, Fo Fum Flarey, available for preorder

Those of you who know me personally know that this past year has been incredibly difficult. Yeah, I know I’m not alone. COVID etc. But in addition to the social upheaval, my personal life was turned upside down as well. First, my dad passed in April. And now my mom is gone, too. January 9.

Fo Fum Flarey by Kirsten Mortensen
She’s got her prince. If she can figure out how to keep him…

I am not even sure how to process it, to be honest. Looking forward to when this is all something that happened instead of something that is still happening.

In the meantime, I have been getting some writing done, although work has been a bit slower than I would have liked.

Once Upon a Flarey Tale came out last August.

Now the second book in the series, Fo Fum Flarey, is available.

Here’s the description of Fo Fum Flarey:

A tale about love, life choices — and how trusting the wisdom of old stories is sometimes the best choice of all.

Marion Flarey has finally found him. Fletcher Beal.
Her Prince.
And when you find your rich, handsome Prince, everything is settled, right? The fairy tales say so! You live happily ever after. No more questions, no more stress.
But as much as Marion loves those wise old tales, there’s a limit to their magic. How is she supposed to make her place in her new prince’s world — especially when Fletcher is always busy, flying around the country, exploring new domains and adding conquests to his kingdom?
The stories don’t say.
To make matters worse, her family is gripped by stories of their own — and Marion can’t figure out what’s going on. Her mother is distracted and unhappy. What secrets is she hiding? And then Marion’s brother, Ace, shows up in town — and Marion learns why he left.
He’s a thief.
He stole from their family.
Worse yet? He stole from Marion’s prince.
Can Marion unravel her family’s secrets?
Can she rescue her brother?
Can she put her broken family back together again?
And should she even try?
Or will her family’s crazy problems sabotage Marion’s life, robbing her of the one thing she wants most: a happy future with her sweet, rich, sexy prince?

Missing time, folklore templates, and my Marion Flarey WIP

On Twitter, Midnight Myth Podcast (podcast can be found here) shared a Japanese story for yesterday’s #Fairytaletuesday.

Urashima Taro returned from the underwater Dragon Palace to find centuries had passed.

I was struck by the beauty of the illustration, of course, but also by the fact that missing time crops up in so many folklore traditions, across so many cultures.

But wait! There’s more.

What if fairy tales like this one actually encode powerful secrets?

What if stories like this one are more than “just stories”?

You may be aware, for instance, that missing time crops up outside of folklore. People literally experience missing time when they stumble into certain kinds of paranormal phenomena — they have subjective experiences of time that don’t match up to the linear passage of time in “the real world.” Missing time is an almost universal aspect of UFO abductions, for example.

After a ferocious mental struggle, during which she literally tried to crawl out of the house as she could no longer walk, all went dark. When she woke up, it was hours later. She never found out what happened to her during that missing time.

— The Super Natural: Why the Unexplained is Real, Whitley Strieber and Jeffrey J. Kripal

Which brings me to a question I’ve been tussling with for over a year now, as I build out my Marion Flarey books — a three-novel collection that will debut when I publish Once Upon a Flarey Tale in a month or so. [UPDATE: it’s out and you can get your copy here!]

What if fairy tales hold clues to the nature of reality — and how to manipulate it?

What if they are actually templates that — in the right hands — can be used to harness and direct emotional and spiritual energy in ways that shape reality itself?

Marion Flarey seems to think so. She detects a power in fairy tales that nobody else seems to “get” (well — almost nobody!) — but that also tends to blow up in her face when she tries to wield it. :)

And here’s where — to me at least — it gets interesting.

I think she’s right.

Or put another ways: these books are fiction, but they are also true. I am not writing “paranormal.” I’m writing reality — or let’s call it quantum reality :D

Here’s what I mean, using the missing time template as an example.

If you study the template, you can feel the energy behind it. Quite a lot of energy, some negative (anxiety) and some positive (time pressure can be a powerful motivator).

In some stories, like the one Midnight Podcast shared, the energy is partly sexual. It’s about the power of sexual love-matches to make us completely forget — completely abandon — other loyalties and ties.

The handsome they like, and the good dancers. And if they get a boy amongst them, the first to touch him, he belongs to her.

— Mr. Saggarton, as told to Lady Gregory, Visions and Beliefs v. 1

The missing time template also warns us to be conscious about the trade-offs we make when we decide to take a particular life-path.

You can’t take two paths at the same time. Once you have invested time exploring one path, you can never get that time back. It’s gone forever.

She hastened homewards, wondering however, as she went, to see that the leaves, which were yesterday so fresh and green, were now falling dry and yellow around her. The cottage too seemed changed, and, when she went in, there sat her father looking some years older than when she saw him last; and her mother, whom she hardly knew, was by his side …

— The Elfin Grove, from The Big Book of Stories from Grimm, ed. by Herbert Strang

There’s a profound emotional poignancy, here. When we leave our birth homes, those we loved when we were children will, in our absence, grow and age and eventually die. And we’ll miss that, because we were elsewhere — we were Away.

Because of the poignancy of this trade-off, missing time is also related to death, naturally (what isn’t?): whether we permit ourselves to be aware of it consciously or not, we are all on some level keenly aware that our time on this planet is finite. Sooner or later, Mr. Death is going to knock on the door and whatever we are working on at that moment will remain forever unfinished.

The Good Man at the Hour of Death, from the British Museum Image Library. After Francis Hayman, print made by Thomas A E Chambars, 1783
The good man at the hour of death, print, London, British Museum image library

It’s scary, right? Because life isn’t fair and and the trade-offs we make, when we decide how to spend our time, are often downright cruel.

But there is one small comfort in this rather ugly mess: we have the ability to consciously shape our personal stories — the stories that, in turn, become the channels through which our lives flow.

In other words, we don’t have to be carried passively toward the inevitable penalties of Lost Time. We can recognize those penalties in advance; we can accept them with open eyes as the price we pay for a choice we consciously make.

Will this make those penalties less painful?

Rip’s heart died away, at hearing of these sad changes in his home and friends, and finding himself thus alone in the world. Every answer puzzled him too, by treating of such enormous lapses of time, and of matters which he could not understand: war—Congress–Stony–Point;—he had no courage to ask after any more friends, but cried out in despair, “Does nobody here know Rip Van Winkle?”

— Rip Van Winkle, Washington Irving

Nope. Still gonna hurt.

But it will make the experience of suffering those penalties one of conscious choice. We can therefore consciously acknowledge the richness of life’s tapestry, which is woven not only of beauty and joy and pleasure, but also of ugliness and loss and pain. And that’s something. It’s quite a lot, in fact …

This is what Marion is trying to do.

It’s hard for her, just like it’s hard for us.

It’s also absurd, and confusing, and funny, and has a tendency to backfire :)

But ultimately it’s as rewarding for Marion as it can be for you and I.

Because the better we get at shaping our stories consciously, the more aligned we become with our own sense of place, and our own sense of destiny.

And what could be a better HEA than that?

UPDATE: My first Marion Flarey novel is now out!

Once Upon a Flarey Tale by Kirsten Mortensen

“Once Upon a Flarey Tale” is available on Amazon for print or Kindle, or click here to browse other e-formats.