How to Rate a Kindle Book

Earlier this year I posted about a capability Amazon added to Kindle, that allows readers to rate Kindle books.

At the time I imagined that the new functionality would be fairly straightforward — i.e. there would be a little button you could click to submit a rating.

It turns out to require a bit more doing.

Here’s what I’ve figured out so far. (Mind you, this is from my Kindle, version 3.0.2 — maybe newer models support different ways to rate books.)

Also, this may go without saying but your kindle has to be connected to a WiFi network for either of these methods to work.

Rate a Kindle book by writing a review

To use this method:

  1. Open the book
  2. Click Menu
  3. Select Book Description. This takes you to the book’s Amazon.com page.
  4. Page down to the last page of the book description.
  5. At the top of the last screen of the description, you’ll see a hotlink Write a Review. Use your 5-way controller to select it, and then follow the prompts to rate and review the book.
One way to rate a Kindle ebook is via the Book Description.

One way to rate a Kindle is via the Book Description. The last page displays a hotlink “Write a Review,” as pictured here on the Can Job book description.

If you try to rate the book without reviewing it, you’ll find out (like I did!) that Amazon won’t let you.

You have to write a review to rate a book.

Not sure whether this is a bug or a feature. It makes it rating e-books more trouble, obviously. But maybe it helps prevent overly frivolous rating. Maybe, if people have to take the time to write down at least a few simple thoughts, they’ll be more thoughtful about how many stars they give . . .

Rate a book via social media (Facebook or Twitter) interface

I haven’t tried this method yet, but I found this in the Kindle documentation on Amazon:

On the final page of your book, you’ll be given the opportunity to share your thoughts via Twitter or Facebook.

Use the 5-way controller to select “Rate this book.”
Select the number of stars you’d use to rate the book, then select “save & share.”

You can rate the book at any time just by going to the final page. Press the “Menu” button, select “Go to” and select the “End” button.

You can also select “Tweet/share that you’ve finished this book” to let everyone know you’ve read it.

I’m going to try that method, too, and post an update when I have.

Please drop a note in the comments if you have anything to add about rating Kindle books — positive, negative, or questions.

And please stop by my Amazon author page to peek at my Kindle novels :) Thanks!

She self-pubbed, got a Harper Collins contract . . . and now is self-pubbing again

That sound you hear is another old taboo exploding.

It used to be that authors with book contracts pretty much had to do what publishers told them to do. Right?

If you got big enough you might be able to throw your weight around. But most authors had little if any power.

So this is definitely another milestone moment in 21st Century publishing trends:

Novelist Polly Courtney has dropped her publisher HarperCollins for giving her books “condescending and fluffy” covers aimed at the chick lit market.

There was a time when Courtney would have had to accept whatever covers/marketing decisions her publisher made.

Not any more — because now she has options.

You never know what you’ll find in the attic

October 1978 issue of Seventeen magazine with Brooke Shields on cover

For example, you might stumble across an October 1978 issue of Seventeen magazine with a 13-year old Brooke Shields on the cover . . .

I was thinking about selling it on ebay (along with the other issues in the stack) but you know, I might need to hang onto it a little while, first.

At least until I’ve read “Teen Pregnancy: Whose fault-boy or girl?”

Edgy teen  market journalism, 70s style — can’t resist!

Post office mural from Oxford, New York

UPDATE: The artist of the P.O. mural pictured below is Mordi Gassner. The title is “Family Reunion on Clark Island, Spring 1791.” Tempura, 1941.

With the Post Office in a world of financial hurt, it’s no surprise that it is starting to sell off buildings.

Some of those buildings however house public art. From the WSJ:

Between 1934 and 1943, hundreds of U.S. post offices were adorned with murals and sculptures produced under the Treasury Department’s Section of Painting and Sculpture, later called the Section of Fine Arts. Unlike other federally funded arts programs at the time, this initiative was not meant to provide jobs but “was intended to help boost the morale of people suffering the effects of the Great Depression” through art, according to postal officials.

Yeah, those murals. Like the one in the P.O. in Oxford, New York, where I grew up.

It made a very vivid impression on me as a kid. I can remember waiting while my mom or dad mailed letters or bought stamps and staring at that picture. It was so big, so dark; I thought it was magnificent but also a little creepy.

A few years ago I took some pictures of it, and I’m glad I did . . . here they are.

1941 Mordi Gassner Mural Oxford New York post office

Mural from the Oxford, New York Post Office.

Detail, 1941 Mordi Gassner Mural Oxford New York post office

Pioneers greeting and shaking hands: the central tableau of the mural. Those pioneer women sure were muscular ;-)

Detail, 1941 Mordi Gassner Mural Oxford New York post office

The thing that most fascinated me about the mural when I was a kid was the white ox’s eye. I thought it looked human. What I notice now is that the man with the oxen and barge is entering the scene . . .

Detail 1941 Mordi Gassner Mural Oxford New York post office

. . . while the Native Americans on the far left hand side of the mural paddle away.

I would love to know who painted it . . . have posted the pics to my Facebook page as well, so maybe somebody there will chip in with some more information.

Some dogs are just born like that

mellow dog

What’s most important about my beagle lab rescue dog is not where she ranks in the pack, but her mellow temperament.

If you’ve paid any attention, over the past decade or so, to dog training theory, you know that tossing labels like “alpha” and “beta” around is a dangerous thing.

We don’t just do it with dogs, of course. We also do it with humans — see for example Dr. Helen’s observations about a recent Science study. She ties the media reports on the study to a trend to paint alpha males as “dysfunctional.” I happen to be in accordance with her on that point. “Alpha traits” are critically important to human society, culture, and survival. We need them. We need to admire people who exhibit them.

But there’s another problem with the media’s regurgitation of this science. The issue at hand is that being an alpha is stressful — meaning, being alpha is associated literally with high levels of stress hormones. The question then becomes: is it healthier to be a beta?

Here’s the thing. If you’ve known more than one or two dogs in your life, you know that their “aptitude” (for lack of a better word) for a given rank in the social hierarchy is to some extent inborn. I’m not saying here that individual dogs are Destined for a particular social rank. But from puppyhood, it’s obvious that some dogs have what it takes to be alpha and some will inevitably default to somewhere lower in the pack.

Yes, social rank is also predicated on behavior as well. Dogs can acquire the skills they need to climb up. They can also sink in rank. (As can baboons, the subject of the Science study.)

The challenge is to tease out the why’s.

I’ve blogged here before about my dogs. My current dog is a Beagle-Lab mix. My last dog was a purebred Corgi. Both dogs exhibit(ed) a ton of “submissive” behavior — things like rolling over on their backs etc. when I approach them. But my Corgi was also a bundle of very unhappy nerves, whereas Tessa is extremely, extremely mellow (and incidentally a lot nicer to be around).

And guess what. They were each “born that way.”

No doubt if you’d drawn blood from the Corgi and tested it, you would have found high levels of cortisol. They wouldn’t be there because she was an alpha. They’d be there because she was born with a tendency to be excitable and anxious. (Incidentally, I suspect this unfortunately sets up a kind of biological feedback loop. Trainers have noted for instance that dogs sometimes appear to excite themselves by their own barking. So excitable=barking=more excited . . .)

This is one of several reasons why we need to throw out the “alpha” and “dominant” and “submissive” labels when we adopt companion dogs — because when we use those labels, we miss looking for what’s really important about dogs’ temperaments.

My hunch is that we have to be careful with these labels when it comes to people, too. My hunch is that if we looked, we’d find “alpha males” with very low levels of stress hormones, and “beta males” who are as crazy unhappy as my poor little Corgi was.

Assigning moral values to such labels only makes it that much harder for us to understand what’s going on with our bodies, let alone what makes for a stable, high-functioning society.

A tale of beer and books

Southern Tier Iniquity black ale.

Out there in The Long Tail you’ll find some mighty fine brewskies. P.S. Southern Tier, please bring Iniquity back. Thank you.

Only imagine: MSNBC has a story up about beer sales, and lo and behold, they’re plummeting — for mainstay brands like Bud, Old Milwaukee, and Michelob. [UPDATE: sadly, story no longer there…]

Of the 23 “largest selling beer products” in the U.S., “eight . . .  have lost a staggering 30 percent or more of their sales between 2005 and 2010.”

Yikes.

But here’s what strikes me. For years, we’ve been hearing that “digital” is killing the publishing industry. Digital is killing newspapers. Digital is killing music.

And the focus for the most part has been on the medium. You’ve probably heard “kill the medium!” arguments along these lines:

  • Blogging makes it too easy for know-nothings to pose as journalists. Result: newspapers face too much competition from low-quality websites. Newspaper circulation plunges.
  • Digital music is too easy to steal. Producers can’t control their product any more — people are getting for free what they used to have to buy. Music sales plunge.
  • Self-pubbing books is too easy. Now unvetted self-proclaimed “writers” can put their better-hold-your-nose junk on Amazon or B&N with a click of a mouse. They are squeezing out legitimate publishers. Print book sales plunge.

But here’s the thing. With beer, you take the medium out of the equation. People can’t buy or sell beer in digital form. It’s an analog world experience still, thank doG.

So beer becomes a control case.

Right?

You have your traditional, old school industry — all those gargantuan beer brands that our grandfathers used to drink — and you have this nascent (well, still sort of nascent) decentralized craft brew movement with its funny labels and quirky flavors.

And what happens?

We learn that when people have a choice, lo and behold, they will abandon “safe,” boring, insipid products and seek out interesting, imaginative, vibrant alternatives. In proverbial droves.

This also suggests IMO that “brand” — which you  may have noticed has been elevated in the past couple decades to near-mystical status in the marketing lexicon — is actually not enough to carry a product. On the contrary, “brand” has some mighty heavy clay feet.

Anyway, a prediction. Bud, and Old Milwaukee, and Michelob (which btw is in my WP spellcheck. Really? My spellcheck doesn’t recognize the word “spellcheck” but it generates its red squiggle if I type Michalob or Michelobe? Really????) are already working furiously behind the scenes to launch a stunning new menu of “craft-style” beers.

Second prediction. Book publishers will engage in a parallel activity, if they’re not already. And they’ll figure out which self-pubbed products sell well (possible examples: shorter novels; serials) and start assembly-lining e-books into those niches with a vengeance.

But without offering author advances ;-)

Trigger Points

So this has been something of a revelation.

I’ve come across the term “trigger point” more times than I could hope to count, over the years. I’ve had massage therapists mention them. I’ve read about them on websites. I’ve noticed them in my muscles — spots where even a little bit of pressure is hugely painful.

I never looked into them very much.

The fact is, there is so much alt-health information out there, and 95 percent of it is either garbage or irrelevant. It’s hard to sort through it all. It takes time.

But in the past few years my hands have been giving me trouble. My fingers seemed stiff a lot. My knuckles have been sore. I’ve noticed that my forearms have developed numerous tender spots as well.

This started a year or so after I took up golf — but golfing itself never hurt or seemed to tire my hands, and resting from golf didn’t seem to have an effect.

That puzzled me.

My fear, of course, was that it might be arthritis, but none of the alt-health things I tried for that seemed to help. (My doctor concurred it could be arthritis, and suggested I use Ibuprofen. Fine for alleviating symptoms, of course, but I wanted a cure.)

Then a week ago I ordered a copy of The Trigger Point Therapy Workbook: Your Self-Treatment Guide for Pain Relief, Second Edition — this being Clair Davies’ classic trigger point book.

It turned out to be an eye-opener.

First of all, I had no idea how much science there is behind the trigger point-based pain model.

I also didn’t realize that the right kind of massage can get rid of trigger points. I thought massaging trigger points was itself a way to alleviate symptoms. I didn’t realize that you can heal trigger points, and by so doing eliminate referred pain at its source.

Anyway, for the last few days I’ve been attacking some of my most troublesome trigger points, and I’m amazed at the results.

Most notably, the pain and stiffness in my hands has resolved probably about 90 percent — and I’m only getting started.

I also have a strong hunch that I finally — FINALLY — have a way to get rid of my headaches.

And I’m gaining a new understanding of the source of specific little aches and pains. For years, I’ve had a problem, on and off, with a dull ache under my right shoulder blade. Who could have known that the source was a muscle in the front of my neck? Yet when I massage the right trigger point, it hurts in that spot inside my shoulder — the exact same kind of hurt, in the exact spot.

I bought the book hoping to make my hands feel better.

I entertain larger ambitions now!

I’m not only going fix my hands. I’m going to get rid of my tendency to headaches. And I’m to systematically hunt down and extinguish trigger points in ever muscle in my body.

Wish me luck — I’ll post updates here as I go.

World Trade Center brochures from mid-70s

The World Trade Center: A building project like no other.

Cover of a World Trade Center brochure, “The World Trade Center: A building project like no other.” Publication date May 1970. Interior is photos and text about the Towers construction.

A couple of years ago I was going through a box of stuff — a.k.a. junk — that I’d schlepped from my parents’ attic to my house, and came across some World Trade Center brochures.

I had no memory of them at all, at first. But something has since seeped back in. I think I was doing some sort of project for school. A research paper, maybe. I wrote to someone (The Port Authority? I think that might be it) for some information and received the brochures in the mail as the response.

I never visited the Towers. I didn’t realize that I’d never have a chance.

I took 9/11 personally, like many of us did — and for many reasons. But one of them, for me, was the destruction of the buildings themselves. I felt connected to them; I felt like they were “mine” in a way, and their destruction therefore felt — still feels — like a theft . . .

HQ For International Business: The World Trade Center

This brochure, “HQ For International Business,” has a business card stapled to the inside from a One World Trade Center observation deck manager. I wonder if possibly he’s the person who mailed the packet to me . . . he also enclose a reprint of a New York Times article from 1972, “New York’s View From the Top,” by Paul J.C. Friedlander.

World Trade Center brochure Now -- a world of data on world trade

This brochure, “Now — a world of data on world trade,” pitched businesses on the advantages of locating in the WTC. Electronic Yellow Pages, Hot Line to all WTC tenants, and Personal Data Stations . . .

The World Trade Center concourseConcourse, brochure circa 1976

This brochure publicized the WTC concourse. The interior is a map showing all the concourse shops.

Speaking of books that make a difference . . .

It’s easy enough to assert that books “make a difference” — now Alain de Botton has gone a step further to explain how:

One effect of writing . . . is that, once readers have put the book down and resumed their own lives, they may attend to precisely the things that the author would have responded to had he or she been in their company.

Thanks to a book, their minds will be like a radar newly attuned to pick up certain objects floating through consciousness. The effect will be like bringing a radio into a room that we had thought silent, only to realize that the silence existed at a particular frequency and we, in fact, shared the room all along with waves of sound coming in from a Ukrainian station or the nighttime chatter of a minicab firm.

Have you ever experienced this by reading a novel?

What novel, and how did it affect you?