Just a bridge . . .

Yes, replacing aging bridges before they fall apart is important. But in some cases that means we’re losing bits of history, not to mention personality to yet more dull old concrete.

I wish I’d gotten pictures, for example, of the old Hoxie Gorge bridge on Route 81, near Cortland, N.Y., before it was demolished last fall. I can’t even find any stats on how high it was (some locals nicknamed it “the mile high bridge” though, to give you an idea of how high it seems when you’re on it). It spans a gorge along the Tioughnioga River valley. It’s being rebuilt now and will be safer as a result, of course. Before we’ve lost that gorgeous arched steel forever, and nobody seems to have noticed.

I did take the time yesterday to get some pictures of the bridge across the Chenango River in the town where I grew up, Oxford, NY, because this one is slated for replacement as well.

Bridge over Chenango River in Oxford, New York, Burr arch truss design

Just another backwater steel bridge, yeah, I know.

Chenango River bridge in Oxford New York, Burr arch truss design

It’s got a connection to Oxford beyond just the practical, however. The design uses a “Burr arch truss” that was invented by Theordore Burr — a cousin of Aaron’s — who was an Oxford, NY native around the turn of the 19th century. Burr’s design made our bridges strong enough to support heavier vehicles, including trains. He built the first bridge across the Chenango in Oxford and also a gorgeous house which, today, is the town library.

Oxford New York Public Library, Theodore Burr house

From the piece linked above:

The “Burr arch truss”, used two long arches, resting on the abutments on either end, that typically sandwiched a multiple kingpost structure. Theodore Burr built nearly every bridge that crossed the Susquehanna from Binghamton, NY to Baltimore, MD in those days. His successes made him the most distinguished architect of bridges in the country. Today’s modern bridges with their graceful arches can be traced back to Theodore Burr and his contemporaries.

In April, 1818, he advertised in the Oxford Gazette, that he had “devoted eighteen years of his life to the theory and practice of bridge building exclusively, during which time he had built forty-five bridges of various magnitude, with arches from 60 to 367 feet span.”

Bridge over chenango River, Oxford New York, Burr arch truss design

Back in those days, small towns didn’t carry the stigma (often undeserved of course) of being home to small minds. It was perfectly in keeping with the vision of the time to found an Academy here, for instance — it was expected that the best and the brightest would be out in “the wilderness” and would look for ways to get a classical education.

Oxford Academy

The building is the town’s middle school today. For now. It’s on the river flats, and was flooded badly last year. The town isn’t sure they’ll be able to fund insurance on it any more — and so it may well be junked in exchange for some cheaply built ugly modern thing. Hopefully someone will find some other use for the building. It’s a treasure, but unfortunately small town upstate NY resources don’t always allow the luxury of preserving treasures.

Bridge over Chenango River in Oxford New York, Burr arch truss

[tags] Oxford, New York, Chenango River, bridges, Burr arch truss [/tags]

“Don’t blog if you’re boring”

That’s been my motto lately. Because I’ve felt like I’ve been pretty boring. At least on the outside, lol

It’s not that I haven’t been busy. I’ve been reading a ton of books — all kinds of interesting books — like I just finished-but-one-story “The New York Stories of Henry James” — which I picked up while in NYC of course. Only I haven’t felt inspired to blog about it — more fun to immerse myself and not assume the arm’s-length relationship that writing about it would require.

I’ve been working on revising my last-novel-but-one, which like my most recent novel got some passing interest from agents but wasn’t good enough to get anything more.

It’s been a painful process, the revision, because I’ve been confronting my own . . . naivete, if I want to be nice about it — incompetence, I think to myself in my less rosy moods. How could I have written so stupidly and not realized it? Sigh. Writing novels is without question the most difficult thing I’ve done, ever. Having to do major surgery well after I’d hoped The Thing Was Done only brings that point home all the harder.

I’ve been golfing a bit more lately, which has been nice. Will blog about that some more in the next few days.

And I’ve been writing for another site I’ve launched, WomenGolfApparel.com. I undertook this venture as an experiment: can I monetize my writing by creating a content-rich site and then run Adsense ads? I’m happy to say results so far are promising, although it has nowhere near the traffic I’d need to, you know, buy that nouveau-Italian palazzo-style McMansion with the the spinning hot tub in the back yard that I’ve had my eye on. ha ha ha

But it’s been fun, and IMO satisfies a real need, also. Especially if you don’t live in a major market, finding fun, stylish golf apparel — if you’re a woman — can be a pain. Many pro shops don’t carry much women’s clothing (due in part to their general focus on male golfers, but also because women’s shopping habits are different, according to an acquaintance who ran a pro shop with her husband for awhile. Men do things like notice it’s raining and buy a raincoat on their way out to the first tee. Women want to shop shop — and don’t combine that with their trips to the course to play.)

Even general sporting goods stores like Dick’s shortchange the women in their golf apparel sections — at least that’s been my experience. You might find one or two racks of women’s golf clothing. And it gets picked over fast, so you finding your style can be a problem.

Another major hole: it’s really really hard to find out what, exactly, the LPGA pros are wearing. I’ve been trying to hunt that info down, and it’s not easy. In some cases, it’s probably because they aren’t wearing endorsement-deal stuff. But as I wrote here, I think it’s also because the media is hesitant about covering what pros are wearing. We don’t interview Tiger about how cute his shorts look — wouldn’t it be insulting to focus on a woman pro’s clothes instead of her game?

But the fact is, when women see a golfer on t.v. and like what she’s wearing, they want to know how to buy that piece for themselves. At least according to the anecdotal evidence I’ve encountered.

So the site will, I hope, help women in a couple of ways — it will help them find opportunities to buy golf apparel online (I try to find news about deals!) and it will help them track down what the pros are wearing.

I’m putting the finishing touches on a women golf apparel newsletter now as well, which features an interview with Geoff Tait, one of the founders of Quagmire Golf. The interview discusses how golf styles are changing, partly because LPGA pros are breaking old style conventions. I plan to send the newsletter out within a few days — if you want to be on that mailing list, drop me a note or sign up here. If you’d rather just read the interview online, it’ll be published on the main site sometime later in August.

So yeah, I’ve been busy. Just not blogging. But that’s one of the nice things about having a blog, if I don’t post, what does it matter! I have only myself to please ;-)

Our Friday

Tate Britain exterior More London photos, hooray!

On Friday, we started out at the Tate Britain, which runs a ferry up the Thames between it and the Tate Modern. So after browsing art for awhile we ferried up the river. Didn’t go into the Tate Modern but we did make a stop at the reconstructed Globe Theater. Here’s a pic of it from the boat.

Globe Theater exterior

Globe Theater seats We took the Globe tour, which was fantastic. I’d just finished reading Ackroyd’s biography of Shakespeare, so it was thrilling to see in three dimensions what his theater was like. Here’s a couple of pictures of the exterior. This is where the seats are — wooden benches.

Here’s the stage —\/

Globe Theater stage

My only regret is that they don’t stage productions there in February (the season runs April to October). On the other hand, now I have an excuse to go back ;-)

Knightsbridge at sunsetFrom there we ended up in Knightsbridge. We found a pub for a Guinness, and when we came out the sunset had turned the sky pink. It was gorgeous.

I had one more literary thrill before the day was over, as it turns out. London puts plaques on buildings where famous people have lived, and we happened to notice this one that evening. P.G. Wodehouse, hooray!

P.G. Wodehouse plaque

Here’s the house :-)

P.G. Wodehouse house

From the tour bus

Oxford circus I had quite a pile of work awaiting me after my trip, so I’ve spent this week churning out Corporate Prose. I’ve got more to write this weekend, but in the meantime here’s a few more pics.

The day after Paris my Gracious Host agreed to my suggestion that we try a tour bus. We set out by foot to Trafalgar Square, passing Cambridge Circus . . .

China Town

and Chinatown.

We began the morning walking through The National Gallery, which faces the square.

British Museum

Big Ben from the tour bus

And then found a bus. We sat on the top — the weather was just warm enough to make it bearable — and were on our way.

We passed many familiar landmarks, and while it wasn’t always easy to get decent shots from a moving vehicle, the tour guide was a font of interesting trivia (my Gracious Host even admitted to picking up a few previously-unknown tidbits, native Londoner though he is) — altogether, a very enjoyable experience and definitely worthwhile if you’re new to the city and need to get a tourist’s bearings.

Here’s the Tower Bridge.

Tower Bridge from the bus

The Tower of London.

London Tower

Christopher Wren’s monument commemorating the Fire of London in 1666.

Fire of London Monument

Paris

Eurostar station

Continuing my story of the trip :-)

On the 15th, we got up bright and early to catch the Eurostar to Paris. Here’s a pic of the train station in London.

The train took about two hours to reach its destination. After we’d disembarked in France, we set off by foot in search of the Louvre, and it didn’t take long to find it.

My Gracious Host took this pic of me in the courtyard near the museum entrance.

me at the louvre

Once we got inside, we discovered that admittance was free–the staff were on strike. Museum workers unite!

louvre workers on strike

The interior of the place was massive, of course, so we didn’t try to see everything.

venus de miloWe did pay tribute to a few of the collection’s most famous pieces, like this one, and the Mona Lisa, which as you probably know is behind glass and separated from visitors some distance by a rail.

From the Louvre we walked across the Seine and found a cafe to eat.

crossing the seine

It was mild enough that we were able to sit outside, and our waiter was very pleasant and sweet. And there I was, braced to be insulted. I guess I could have worn my cowboy hat.

After our meal, we made our way to a Metro station, and from there to the Eiffel Tower.

looking up at the eiffel tower

As I mentioned in a post I wrote before I got back, the lines to go up the tower were long and slow-moving, but the views were breathtaking. And we did get back to the train station in time to make the last Eurostar, traveling first class that time, which meant we had a gorgeous meal and complimentary champagne. A lovely end to a lovely day :-)

seine from the eiffel tower

Got my English robin!

English Robin

Turns out I didn’t have to go to England to see an English robin! Somebody who doesn’t know his birds — or doesn’t care that his clip art was of a non-native species — put one on the cover of the Spring 2007 Monroe County BOCES community education catalogue :-)

My “lotsa art” post

view from my hotel

The weather was pleasant for almost the entire time I was in London. Like Wednesday, for instance. It rained a bit overnight; when I took this pic from the hotel window in the morning the streets were still wet. But it was dry during the day, and the temps were in the upper 40s to low 50s all week — plenty warm enough for walking around, and considering that we were getting a couple feet of snow back home at the same time, quite nice indeed ;-)

So. Day three.

I love Rochester and for a city this size, we have some nice museums. But needless to say it’s nothing like a world class art center like London. My Gracious Host took me to at least six museums in that city during my visit, plus the Louvre when we went to Paris.

Victoria and Albert

The experience was like a gigantic art buffet. (A free buffet — London’s museums don’t have a mandatory charge for general admission.) Obviously there was no way to even taste every dish. Instead we just wandered, and if something caught my eye, or my companion’s, we’d call the other over & pause & look.

On the 14th, our first stop was the Victoria and Albert. Here’s the Dale Chihuly chandelier that hangs in the museum’s entrance dome.

pointy tongue thing

There was so much to see inside that, like I said, it was obviously pointless to try to make any real sense of it. Just pause if, for instance, you notice something with a pointy tongue.

another pointy tongueOr something else with a pointy tongue.

Pointy tongues aside, one of the things I noticed after some hours at the buffet is how art, once, was concerned so much with capturing (depicting?) moments within mythological narratives. (Including, of course, contemporaneous myths, e.g. political events.) I’m not suggesting this is an original idea, btw, nor a particularly profound one; in fact it probably says more about my own cultural orientation than any artist, living or dead. I’m so used to receiving cultural narrative via movies and television that the notion of someone actually sitting down and taking the time and energy to first imagine an event and then, god bless ’em, meticulously paint or sculpt it kind of blows my mind. It’s a commitment of such scale that it excludes frivolity pretty much by definition, doesn’t it.

theseus and the minotaur

It’s also all but impossible to imagine anyone doing this sort of art today. Imagine, for instance, someone deciding he was going to paint a U.S. presidential cabinet meeting when some historical decision was being made — the decision to invade Iraq, for example. Who would bother, unless in the service of irony or caricature or the hope to cast shame? And if someone did, the ensuing discussion would center on the “accuracy” of the painting — because post-photography, we expect images that feature “real” elements (in the photographic sense of real) to correspond exactly in space in time to whatever is being “represented.” So you couldn’t, for instance, paint the invade-Iraq-decision scene as representational but also show Clinton in the room, or the elder Bush. Even though both men were very much present in the sense of having complicity in the event / in the sense of having contributed to it.

Maybe one reason mainstream art abandoned representation is that photography cost artists their courage to imagine scenes in mythological terms. Much easier to just blop a little paint on the canvas and call it a day. Faster, too.

Or maybe it’s because we’re wrestling with myth today in more overt or direct terms than we were once. Nobody’s willing to concede to the authority of a shared myth, so our art is naturally fractured and timid.

Jah, who knows.

feeding birds in hyde park

Anyway. From the V&A we ended up at Hyde Park. Passed a couple of pensioners feeding the birds and squirrels. I tried to get a picture of an English robin — they were flitting out from the bushes onto the pensioners’ hands to snatch whatever they were offering, crumbs or seeds — but I wasn’t quick enough. I did get a fairly decent shot of another bird I’d never seen before: a wood pigeon. They resemble the familiar rock pigeons you see all over in U.S. cities but are quite a bit larger.

wood pigeon

At one end of Hyde Park we paused to look at Kensington Palace, where Princess Di lived.

Lovely, but a bear to keep dusted, I understand.

kensington palace

We didn’t go in.

We did go in St. James’s Church in Piccadilly, where William Blake was baptized in this font in 1757.

Blake baptismal font

I think it was that same day that we went to Sir John Soane’s Museum (spelt right this post). No photography allowed inside, so I don’t have pics, but take my word for it, it’s worth a visit if you get a chance. Amazing collection of art and antiquities. Epitomizes the notion of a wealthy 19th century English Collector.

I forget where we ate that evening. Probably a pub. It was about that time, if I recall correctly, that my Gracious Host began exulting about my being such a cheap date, the way I kept volunteering for Guinnesses and pub grub :-D

But I know where we went afterward, because it was Valentine’s Day, and we went to see Madame Butterfly, which I mentioned a couple of posts ago.

Extraordinary climax to an extraordinary day . . . and after that, Paris.

London pictures :-)

I’m home!

I took over 400 photos!

This is the beauty of digital photography. Out of that many, I’m bound to have a handful that are at least in focus :-)

The photo fun didn’t start until Tuesday however. That’s because before leaving for the trip, I carefully charged both of my two camera batteries — but failed to execute the next step, which is to put at least one of the charged batteries back into the camera. So although we did some sightseeing Monday the 12th, walking from our hotel (the Radisson Edwardian in Grafton) to Trafalgar Square , then wandering for an hour or so through the National Portrait Gallery, I got no photos. Ahem.

Starting making up for it the next day however.

British Museum exterior

We began with the British Museum, repository of art and cultural artifacts collected by the Brits, including, of course, the Elgin marbles.

elgin marbles

I also took a couple pics of the museum’s famous library and reading room.

British Museum reading room

Spent the rest of that day walking around. One of the things that struck me was the way so many streets are curved, and faced by buildings contoured to match.

curved buildings

My Gracious Host made sure to steer me past this.

Curiosity Shop

And we ended up by another landmark.

me by Big Ben

By then I was suffering from my only major planning error — much worse than the camera battery snag — I didn’t choose the right shoes. Actually, the right shoes don’t exist, but that’s a rant and this isn’t a rant post. In any case, by the end of the week I’d given up, bought a pair of sneakers, boxed up my oh-so-stylish boots and loafers and had sent them home by post. In the meantime, my Gracious Host was kind enough to give me lots of pub breaks, and that night found us a Greek restaurant not far from the hotel for our dinner. Thanks, Gracious Host!

Back with more soon :-)

Whooo hoooo!

Hi, all — I’m having a fantastic time :-)

Yesterday was Paris — the Louvre and Eiffel Tower — the only downside to the ET was that the lines were so long, it ate up several hours so we ended up having to catch the last train back to London instead of the 7:19 Eurostar like we’d planned. But the view was fantastic — sunset from the top of the ET!

In London — where to start? Victoria and Albert Museum, National Portrait Gallery, John Soame Museum, the Thames, Big Ben, House of Parliarment, British Museum, Hyde Park, Albert Memorial, Albert Hall, Covent Garden. Wednesday night we saw Madame Butterly at the Royal Opera House, which was fantastic, possibly one of the single most beautiful things I’ve ever experienced.

There’s still lots on the list to go — we’re going to do the British National and the Tate sometime in the next couple of days. And today my host has promised me we’ll take one of the tour buses — drive by photo ops, hooray!

Back soon!